4,031 Royalty-Free Audio Tracks for "F Major Chords"

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

Primay triads in c, as MIDI

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Grave whole tone on C (D--), 800/729, 160.90 cents.

Major chord on C in just intonation (1/1, 5/4, 3/2).

Nocturne no. 2 in e-flat major, op. 62

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Ascending and descending scale played in E flat major

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

Second movement of Gustav Holst's Second Suite in F for Military Band, an arrangement of "I'll Love My Love".

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Instrumental recording of the "Nokor Reach" (English: "Royal Kingdom"), the national anthem of Cambodia

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

♭III+ chord in just intonation. Pitch bend matches intervals.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

iii7 as tonic substitute. Created by Hyacinth (talk) 16:16, 14 July 2010 using Sibelius 5.

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Diatonic scale on C.

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante

C major bebop scale.

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

Barbershop bell chord. Pitch bend matches just intervals.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

*Decade on C. 10:1 = 3986.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 (5/4 = 386.31 cents = 3986.31 - (1200*3).)

Sonata no. 15 in d major, op. 28 'pastorale' - i. allegro

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

*Decade on A on C. Just: 10:1 = 3986.313714 cents. Limit: 5-limit. MIDI pitch bend: 79,59

Just major triad on C (4:5:6).

Nocturne No. 2 in E-flat Major, Op. 9

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ives quarter tone fundamental chord.

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto